Industry

Hyundai Turns New York Museum Elevators Into an AI Art Installation

Ho Tzu Nyen's AI-driven video plays every time a visitor presses a floor button, and a companion work opens in Hyundai's factory city of Ulsan in October.

Pedestrian passes New Museum glass elevator showing Ho Tzu Nyen video
Caption: "Visitors can see Ho Tzu Nyen's elevator work from the street before stepping inside. Photo: Installation view of the Hyundai Translocal Series: Ho Tzu Nyen (New Museum, New York). Photo: Steven Probert Studio

Hyundai's newest project in New York has nothing to do with cars. Starting September 24, the glass-front elevators at the New Museum on the Bowery will play an AI-driven video work by Singaporean artist Ho Tzu Nyen, paid for through the automaker's Hyundai Translocal Series.

New Museum facade on the Bowery at night with lit elevator
The New Museum's glass-front elevators face the Bowery, turning the artwork into a street-level display after dark. Installation view of the Hyundai Translocal Series: Ho Tzu Nyen (New Museum, New York). Photo: Steven Probert Studio

The piece, P for Power: Up Down, reacts to riders. Each time someone presses a floor button, one of five Singaporean children appears full-height on the screen and offers a short line about power, sometimes a question and sometimes a riddle. The imagery around them is generated on the spot, so no two rides look the same. It stays up through January 24, 2027.

Child protagonist on elevator screen in Ho Tzu Nyen's P for Power
Each floor-button press brings up one of five child narrators and a freshly generated image sequence. Installation view of the Hyundai Translocal Series: Ho Tzu Nyen (New Museum, New York). Photo: Dario Lasagni

A second work, P for Power: Double Life of P, opens October 22 at the Ulsan Art Museum in Korea. It runs on 24 projectors and multichannel sound built partly from data about the city's industry. That is no random pick. Ulsan hosts the complex Hyundai calls the world's largest single car plant, in operation since 1968.

The two-city show is the second under the Translocal banner, which Hyundai launched in 2025 as a decade-long program funding joint commissions between Korean and overseas institutions. The first, Entangled and Woven, paired the Cheongju Craft Biennale with the Whitworth in Manchester last fall. The New Museum and Ulsan will stage two more commissions through 2028, according to Hyundai.

Open New Museum elevator beside wall text crediting Hyundai
Wall text beside the elevators credits Hyundai Motor as partner of the Translocal Series. Installation view of the Hyundai Translocal Series: Ho Tzu Nyen (New Museum, New York). Photo: Dario Lasagni

Translocal is only the newest layer of a long-running arts budget. Hyundai has funded the annual Turbine Hall commission at Tate Modern since 2014, a deal Tate calls the longest initial pledge any corporate partner has made to it and one now extended to 2036. In February, the automaker also renewed its partnership with Los Angeles' LACMA through 2037.

The payoff is measured in audience rather than sales. Tate says the Hyundai Commission alone has drawn more than 19 million visitors in a decade. Hyundai has not disclosed how much it spends on any of these programs.